were is the aux recieve channel from extern- efx ?

[ER_457]

Hello Tascam 12 Team
how can I receive my external effects sent via aux 1 / 2 again if the channels 1 - 10 are occupied. where do I have to plug the FX return.

 

[Max Relic]

The Model 12 doesn't have Aux Return inputs. To connect the return of external effects you have to free some input channel and/or use an additional mixer.

 

[shredd]

The Model 12 doesn't have Aux Return inputs. To connect the return of external effects you have to free some input channel and/or use an additional mixer.

Too bad this is considered information that could compromise national security...or they might've included a block diagram to inform ModelXX owners of this...

 

[Mark Richards]

Well, it seems @ER_457 returned on Thursday, but is another one of those people who, although a member since December 2024, doesn't know that it's polite to say "thank you" to @Max Relic for taking time to respond.

@shredd, please be careful with the following information, as this is classified beyond Top Secret:
[sotto voce]
The detailed answer, and the work-around, is post #14 in the "Model 12/16/24 Tips & Tricks" sticky thread. Thank goodness the OP didn't have access to the sticky threads, or try to use the search function to breech our data security protocols.

​

 

[shredd]

The detailed answer, and the work-around, is post #14 in the "Model 12/16/24 Tips & Tricks" sticky thread. Thank goodness the OP didn't have access to the sticky threads, or try to use the search function to breech our data security protocols

Yupp. Gotta keep the rank-n-file types from accessing such highly sensitive information about the use of Tascam gear. After all, who knows how many terrorists, agents of foreign governments, and plain cray-zee folk might be lurking on the site, ready to hold our nation hostage with secrets about routing and gain-staging and DAW control?!?

 

[Max Relic]

 

[shredd]

I'mma surely not one to make judgement on anyone's manner/method of learning, or least of all their intentions/efforts on making the best possible use of the scads of sophisticated gear that makes up even the average studio, let alone a production-level one.

But am I the only one who senses that a great many musicians (in particular, the ones with much less interest in studio production than the music itself) want the use of the complex gear used in playing/recording/producing music to be as easy as making pudding?!?