Hmm that's not really what I'm saying. And I'm sure not interested is using EQ to get a normal dry sound (that's never a good thought). You made a unfounded assumption (fallacy). Because the GP-10 dry out sounds the same recorded into either the mic or the inst input of the Tascam means the signal is 'friendlier' to the Tascam, not that the GP is 'adding things'. BUT You HAVE to KEEP remembering, even the 'dryout' of the GP-10 is NOT the same loading or signal as the actual guitar. ONLY the guitar it THAT. You keep implying somehow all things 'guit level' like reamp boxes etc are the same. A thousand times no! So there is sorta a thing that is 'full guitar bandwidth'. At least sorta. And for sure, the tascam doesn't capture it. The GP-10 "guitar out" (which may or may not be the same as the 'dryout USB' which sorta refers to the main outs virtually) anyway..that guitar out is NOT a 'true bypass' guitar signal...for one reason...I DON"T THINK you can 'mult' guitar signal passively because of what all that crap means..so the guit out is conceptually, get this..is a preamped guitar signal ( that is then no longer an actual guitar signal) BUT its set to the SAME level as an actual guitar signal. No I'm not making this up. I'm not saying I'm a super expert or I would be offering that discussion, but I DO know enough to say what I know. I know actual guitar signals present 'unique' electrical 'loading' etc ..if affects the sound. You have to stop 'gaslighting' this discussion as if one of the fundamental tenants of it was 'imaginary'. As said before 'reamping' is NOT the SAME signal, though it CAN produce the same recording. But that does NOT mean it is the SAME thing. You HAVE to study what I keep referring to, that there is NO other signal necessarily the same electrically as an ACTUAL guitar signal. .. in order to start to approach this issue appropriately. I've mentioned the word 'impedance' a couple of times I think. That may play a role here, that where my expertise and immediate knowledge and resources ends at the moment. (I don't study and re-study enough, I don't have any gear with adjustable impedance etc). So it is either impedance alone, impedance in combination with some other guit-connected phenomena, or something 'impedance like'..that is rolling it off on the tascam. I really don't know if these sort of issues can make it sound like it's bass has been cut...I don't think so, I shouldn't mention that it's confusing. But no, inputs don't generally really 'add' frequencies.. they sometimes leave some off. There doesn't seem to be all this confusion with microphones. They usually ALWAYS have the same generally tone NO MATTER WHAT mic pre you plug into, and the differences in the pres are other more subtle things like S/N, distortion, but NOT tone. and NO DIFFERENCE in line inputs (you have to be a lunatic to entertain that disussion). So we are left with the 'guitar input tone challenge. Because you dry recording are supposed to be very similar and 'full bandwidth'. The you do things to it with effects etc later. With guitar inputs 'Usually the highs are what affected...or maybe always, if something is missing, it's the highs, and it's often related to this thing 'impedance'. I appreciate the discussion and I'm asking you to focus on what I'm saying and why. It is the focus and purpose of this thread so you have to be on board with that part. I'm not imagining that. Related discussion is great but please get that this is about guitar inputs rolling off and that 'adding stuff' is not really what inputs do conceptually. You also really need to get that device other than actual guitar that you connect to amp or mixer, even if they are carrying a recorded signal of the guitar..those devices are NOT 'seen' by the input as being the 'same' as an actual guitar. I don't think there any designed to do that actual thing (but Idk for sure) but no not a typical reamp box, its not that any more than the 'guit out' of the gp10 is the same as the actual guitar. It would have to be a special thing if it possible to make, idk if it has been made. Like I said my knowledge is limited but I know what I know. It's interesting. maybe I will read something somewhere that will explain it better. I know it's confusing, but this is all ancient well settled audio engineering concepts. It's late and another day I havn't tried to read up about pickup output preamping (which is what guitar inputs do, even if they don't boost the signal).