Good question
![Grinning face with sweat :sweat_smile: 😅](https://cdn.jsdelivr.net/joypixels/assets/8.0/png/unicode/64/1f605.png)
Despite my great connection with music, I have never been very demanding with the material. Since 1996 he bought only two electric guitars, two amplifiers, a classical guitar, a flamenco guitar, a bass, a drum set and an electronic piano... Then the gifts that they have given me over time, a cello, a trumpet , a clarinet, ancient organs, flutes, percussion of all kinds...
I have had the opportunity to try many instruments, perhaps that is why I never had GAS. Except a few years ago when I became a lone wolf and ended up with 60 pedals!
But of course I have the pieces of my dreams:
Electric guitars, my body is designed for the Fender Stratocaster, most Ibanez models are also perfect and their semi-hollows are fantastic. The rounded Gibsons are rejected by my body like a foreign object, but the Flying v raises my feet a meter off the ground. I tried a late 70's V and never felt better, so this one takes the top spot.
With the basses, the Rickenbacker and the Höfner violin.
The pedals, the Flanger MXR M-117 and the Electric Mistress are the icing on the cake in their older versions. Although I'll settle for anything that has a Reticon SAD1024 or 512. My favorite fuzz is the Foxx tone machine, the one I use is modern equipment but Warm Audio seems to have done a great job. And Morley's TelRay series is definitely designed to survive the apocalypse.
On drums, as long as the heads are well tuned and in good condition, I'm happy.
And with 25 units of the SM-57 I would be very happy... :HAHAHA:
You see I'm very simple, sorry for boring you! I am more distracted by making music... When I achieve something presentable with the DP-24SD it will be a pleasure to share it with you and tell you about the recording process.