I had a little more time to mess around with the DP32, and as I suspected, it's a cinch to print bounce tracks with effects. So instead of using a bounce for the more common reason of combining tracks, you can simply bounce a mono or stereo pair with effects to free up the internal effects for different settings on other tracks. Of course, this could also be done with external effects. When you have a total (stereo + mono) of 32 tracks, you "should" have plenty left for things like this unless you're a real track hog.